Meena Kandasamy’s full-blooded and highly experimental poems challenge the dominant mode in contemporary Indian poetry in English: status-quoist, depoliticised, neatly sterilised. These caustic poems with their black humour, sharp sarcasm, tart repartees, semantic puns and semiotic plays irritate, shock and sting the readers until they are provoked into Rethinking the ‘time-honoured’ traditions and entrenched hierarchies at work in contemporary society. The poet stands myths and legends on their head to expose their regressive core. She uses words, images and metaphors as tools of subversion, asserting, in the process, her caste, gender and regional identities while also transcending them through the shared spaces of her socioaesthetic practice. She re-appropriate the language of oppressors in a heretical gesture of Promethean love for the dispossessed. The poet interrogates solipsistic modernism to create a counter poetic emancipatory energy.

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